mk gibson

Daily Road Rage Observations -or- What Your Car Tells Me About You

As I grow older I find myself constantly fighting against my inclinations and habits of “youth.” And not just my diet (you can take my pizza rolls from my cold dead hands!) No, what I mean is my conscious choice to be constructive instead of being destructive in my thoughts, criticisms, and opinions. It takes effort to apply reason, provide an alternative, and see another perspective.

. . . BUT, there are limits to what a person can tolerate when they are under a constant barrage of stressors. Slipping back into (amusing) destructive mode I need to unload a few thoughts.

See, I live in a kinda rural area of Maryland and I have a 30-ish mile commute to drop my son off at his school. The trip is a mix of country roads, interstate travel, and then business highway traffic. After which, I just make the drive in reverse order and get back to writing books that will never make me rich or famous. (Special note to ALL streaming services: I am a filthy, filthy whore and will sell you any (or all) of my IPs for relatively cheap.)

But back to the point. During these week-day commutes, my son learns a variety of new swear words. Well, more likely a creatively constructed and applied version of the swear words his mother blurts out when grading homework. See, my wife is a teacher and the things she says when grading kid’s homework? Wow. I was in the military for 20 years and even I wince at what she says when little Jimmy/Beth turn in their assignments.

So why am I swearing? Simple: there are A LOT of assholes on the road. Overly aggressive, lane drifting, tailgating, phone checking, rubbernecking, flow blocking, non-zippering fuck-knuckles who likely have married a fellow fuck-knuckle and will raise a clutch of knucklettes who too will be a plague on the road.

Now, bad behavior can come from anyone in any vehicle. That being said, I have noticed some trends based on certain vehicle types or brands. I will admit that since I have a fairly standard routine, leaving the house within a regular window of time. It is possible that I’m seeing the same drivers, thus making me a victim of confirmation bias. But . . . fuck it, who let’s science get in the way of their feelings!

So with that out of the way, below are a few of my favorite recent repeat offenders.

*Again, this is comedic catharsis, and my advanced apologies if you operate one of these vehicles. Unless you are one of the aforementioned fuck-knuckles. In which case, I hope you get a case of sonic diarrhea when next you drive.

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The Lexus family of SUV’s - For those who think their taxes entitle them to more of the road.

Hey, Trip Vandersmyth III, We get it. you have money. But your mobile 401K has to obey the same rules as everyone else.

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The BMW X4 & X6, the chunky-yet expensive-car/SUV mutant, is a perfect gift for your privileged child or wife to drift lanes while texting.

It never fails. There she is, and yes it is almost always a she. Some female, young or old does not matter, ripping down the interstate in one of these white vehicles to ride the bumper of the person in front. And 8/10 times, she is yelling into her phone which she holds like a slice of pizza instead of using Bluetooth. Is she too dumb to use Bluetooth?

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The pumpkin spice of muscle cars.

Yup . . . I’ll just let that above statement speak for itself.


I know, I know. It looks like I’m just picking on expensive cars and equating them to being driven by rich pricks. And in truth, I kinda am. Like I said though, these humorous musings are based on my my observations during my commute. And with that being said, may I direct you to these two articles, both from February 2020

If you drive an expensive car you're probably a jerk, scientists say - CNN Click Here

and

New Study Says Expensive Cars Are Bought by Jerks Who Won't Yield - Car and Driver Click Here

So with that being said, let’s move on to some other of non-luxury favorites to avoid while driving.

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The pristine pickup. Because unearned authority is only a car payment away.

This “hot take” is germane to the extended cab assholes who insist on taking their never-have-hauled-anything toys into more urban environments. I’m convinced these are purchased solely for the owner to watch the line of cars behind them scream in frustration while they back into parking spaces, thus eating up other people’s time. Double parking & sticking out too far in parking garages are added benefits. Oh, and a very special fuck you to all the limp-dick dudes (yes, almost always a guy) who ride the bumper of smaller cars in the attempt to instill fear and panic.

** special note: this criticism of pick-ups DOES NOT apply to the actual working trucks I see daily, especially in rural communities. Y’all are cool and my hats off to you and I thank you for the work you do.

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The modded Subaru. Yes, we hear you go vroom vroom.

You’re adorable. But keep your matchbox car in your fucking lane. After all that added shit, I somehow doubt you can afford the accident you’re going to cause. Especially when there are two (or more) of you zigging and zagging through highway traffic because Vin Diesel and the Fast/Furious franchise gets you hard.

And last but not least . . .

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YOU ARE NOT A CAR!

Look, I get it. Whether for going green, health, or whatever, biking is a thing. I too bike to supplement my exercise routine and have about 800 miles on my current bike. But, I don’t care what the propaganda says, you (we) are not entitled to the road. We are entitled to gravity, physics, and the result of conflicting weight ratio’s in a collision. Don’t be smug. Don’t be snarky. Be fucking mindful. Oh, and blowing through stop signs? Sigh . . . well, your puppy your mom told you that went to live upstate has missed you.

Defending Characters We’re Told to Hate -Or- Were Gaston and John Walker Really That Bad?

Anyone who knows me and/or my books knows that I do love me some villains and antagonists. They are, after all, the most important part of traditional storytelling. Sure, heroes are who people cheer for. But for the bulk of storytelling, it’s the villains who set the stage, move the plot, and create the tension. The right villain makes the heroic victory, or heroic sacrifice, all the sweeter. And without the villains, all those purported “heroes” would just be standing around the farm, living in the Shire, swimming under the sea, or looking for power converters at Tosche Station with metaphorical thumbs in their butts.

Trust me, all the destiny in the universe can’t cure thumb-butt.

However, I will not stand by and allow the good name of villain be besmirched by pretenders to the title. I refuse to blindly boo and gnash my teeth at someone who is presented as “Here’s your villain! Hate them!”

So, with my tongue firmly in my cheek, I will attempt to exonerate two such “bad guys.”  John Walker, the New Captain America/US Agent from Falcon and the Winter Soldier, and Gaston from Beauty and the Beast.

First up, John Walker

Image from Disney/MCU

Image from Disney/MCU

So, remember at the end of  Falcon And The Winter Soldier ep 1 when John Walker was introduced? When Sam, and we the viewers, saw that knock-off standing there and smugly smiling at the camera, holding Steve Rodgers’ shield? Remember? Yeah you do. And you know for damn sure the internet remembers.

Even I wasn’t immune to that punchable face, just smirking at me. I couldn’t wait to hate that guy. But then from ep 2 onward, I felt … regret for my initial reaction. Remorse.

The show, and the internet, went to great lengths to paint MCU John Walker as a villainous tool. But was he? The Wrap referred to John Walker as the “Toxic Masculinity Captain America” and an “Incel.” According to Epic Stream, the actor Wyatt Russell purportedly got death threats for his character, and was referred to as “{…} one of the most despised villains in the franchise.”

Despised? Really? Why? What did he do besides having the audacity of NOT being Steve Rodgers? Did he deserve the acrimony? Let’s see. He

  • Was given the shield that we the audience believed should (and knew eventually would) end up in Sam Wilson’s hands.

  • He admitted to his wife/best friend that he wasn’t sure he was good enough.

  • Expressed humility on Good Morning America by flat-out saying that while he was not Steve, he would do his best.

  • Showed up to help Sam/Bucky on the trucks and then admitted that he wasn’t who Sam thought should have the shield.

  • Asked for Sam/Bucky’s help multiple times. (FYI: referring to someone in the military as a wingman, especially in Air Force culture, is NOT an insult. It is the person you literally trust to have your 6 when things go Tango Uniform. Something Sam, an Air Force vet and later contractor, should have known. And frankly, the writers should have known that as well.)

  • Bailed them out of trouble in Baltimore.

  • Refused to be called a hero for his Medals of Honor because of the cost to human life it took to get them, referring to it as “the worst day of my life.”

  • Got his ass beat by the Dora Milaje for plot reasons and laughed at by Sam/Bucky.

  • And frankly, just did his best despite clearly having CTE (note how he was always touching his head as if in pain, or shaking his head to “clear the cobwebs.”) This man’s government trained him and said “Go forth.” He did, and was punished for it. They turned their back on him. Did he go evil? No. When he came for revenge against Karly, he instead dropped his shield and saved the busload of people. The people that Karly, our propped-up-by-plot pandering rebellion leader, was actively trying to kill. You know … like a sociopathic murderer.

Yeah yeah yeah, I know: He *finger quotes*  killed a guy by bashing him to death with the shield. C’mon, who hasn’t? We’ve all played some kind of RPG. Besides, Walker was fighting a wanted criminal who was, despite said criminal’s speech in that episode to make him empathetic, part of a group that was trying to kill him in addition to being culpable in the multiple murders committed by Flag Shamshers leader, Karli Morgenthau. And after the shield bash, in the next ep, Walker was emotionally wrecked. Just like sad-sack Bucky had been the entire season. Just like every rational, redeemable person would be.  

But ya know who’s never showed an ounce of remorse for the people he’s whacked? MCU’s Sam Wilson. That dude killed several dudes in the first episode alone by kicking them out of helicopters, blowing up the helicopters, or dropping them to their deaths over those canyons. And he did it with quips and without an ounce of remorse. But he’s the “hero,” right? So he gets a pass, I guess.

Sorry internet, you lose. Walker was never a villain. He was just a guy you were told to hate and you did. Because that’s what sheep do. They follow the commands of any barking dog. :)



Image from Disney

Now, onto a tougher challenge--defending good ol’ Gaston from Beauty and the Beast. Woof. Okay, let’s give this a shot. Ahem. *affects a comically bad southern drawl*

Your honor, I’m not a big city lawyer. I’m just a country boy from a small county, which one we might call a province. And our “provincial life” is a little slower, sure. But we have good people, with good hearts, who are full of pride in their community. And you know who hates people like us? Belle. How did she refer to people like us in her famous song? “Little town full of little people?” Well, politely fuck you very much, Ms. Belle.

Now fair being fair, the townsfolk of 1700’s Villeneuve, France did despise Belle so much that they secretly choreographed an entire song and dance number to express how much of a stuck-up b-word they thought Belle to be.

So anyway, your honor, Belle makes it clear she wants more than a provincial life. And like all “Disney Princesses,” she is meant for more than being an object of beauty. She wants, and deserves, agency, adventure, and to be in charge of her own destiny. In fact, she tells the bookseller that her favorite book had far-off places, daring sword fights, magic spells, and … a prince in disguise?

Wait, what? I’m sure that’s nothing. Romance is natural for young folk, after all. But a few lines later she says that her favorite part of the book was when the heroine meets Prince Charming. Oh, no, say it isn’t so! Prince fucking Charming? If we skip to the end, we see Ms. Belle hook up with a guy with money and become a princess in a castle, with all the traditional, anti-feminist feminist trappings that go with it. Seems like Belle didn’t want to leave the provincial life; she wanted to be a white woman of privilege.

Go get her, hard left-leaning Twitter. I’ll wait.  

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Now now, I’m sure the defense is thinking that I’m just badgering the witness. That I’m spitefully nit-picking, straw manning, gaslighting, and looking for holes to tear Belle down to exonerate my client, Mr. Gaston. And they’d be right.

I’m of course being obtuse and hyperbolic. It’s clear to anyone who’s seen the movie that Belle is more than a few out-of-context lines and a victim of Stockholm Syndrome. We’re meant to look past those things about her and see that there is something deeper to her. That the country life and repetitive nature of that time and place was trapping her.

We’re to understand that the depths of Belle’s being and the quality of her character allows her to see that Beast is more than the self-absorbed douchebag whose actions and vile core cursed not only him, but also the lives of his servants to an existence of cutlery, crockery, furniture, and at least one who had to have been a toilet. Through patience and understanding Beast is capable of learning from his mistakes, seeing his prideful ways, and come out a better person with the help of the right guide. Hell, I’d like to spend time with that shaggy bastard myself.

But what happens when we apply that line of thinking to my defendant, Mr. Gaston? Well, the movie doesn’t want you to do that. Why? Because Disney Writer Linda Woolverton wrote Belle to be liberated and reportedly redesigned the new character of Gaston to resemble her own ex-boyfriends: the epitome of toxic masculinity. An arrogant, brash, self-absorbed braggart who sees others as objects.

You know … just like Beast in first half of the movie. But unlike Beast, the defendant, Mr. Gaston, doesn’t get plot time to step out of the stereotype. He’s saddled with being the hyper-macho prick who selects Belle to woo because she’s the prettiest girl in the village.

But what if he wasn’t? I know, I know, your honor; that’s hogwash. But we do live in an era of revisionist history, where movies like Maleficent and Cruella exist to paint the villain in a new light despite the intent of the original creator (or the desire to skin and wear puppies as a coat.) We already learned that Gaston was not an original character and that Belle’s sisters were the ones who screwed her over in the classic fairy tale. C’mon Disney +, where’s Gaston’s redemption prequel movie?

So let’s examine the clues in the movies and piece together a plausible story. Perhaps Gaston sees something special in Belle that he doesn’t see in others. Not as a hunter’s challenge, but as something more? What if all the bravado is an act? The three blondes in the bar clearly wanna do some nasty, PornHub-premium-level sinning with Gaston. But he rejects them. Why? He’s a caricature, after all. Is there any reason that a walking mountain of Klingon testosterone would reject three thirsty hot blondes?

Image from Disney

Image from Disney

Well, that’s easy. My defendant, Mr. Gaston, likes the girl who likes books. But he doesn’t know how to say that.

Gaston reaches out to Belle--blustering, of course. Because all he knows is what that society has taught him. Yet he does it anyway. Bucking tradition of seeing the father first, he proposes and is promptly rejected. Naturally, he is upset. Because perhaps Gaston was seeking to step out of his assigned societal role and was seeking a kindred soul. Someone who will see him not as how the village sees him, but for who he is. That’s almost romantic, isn’t it? Remember the song and dance number? This town hates Belle. Yet Gaston refuses to bend to popular opinion and grows to care for Belle, the misfit of Villeneuve and daughter of crazy old Maurice. If anyone could understand being more than what people see, it would be her. But that’s not in the script for Gaston.

Belle refuses to use that depth of personal character that she uses to see the real Beast in order to see Gaston as more than the stereotypical douche. And that’s fine. That’s the story. Just like in real life, no person is ever obligated to reciprocate the feelings of another.

So yeah, at the end of the day I can’t really defend my client’s actions. Regardless of what could have been, Mr. Gaston chose to be a jealous, scornful asshole who even tried to emotionally blackmail a distraught young woman into marrying him or else send her father to a mental institution. But the question is, would he have been such a prick if someone, anyone, took the time to try and know the person and not the package? If recent shows like 13 Reasons Why have taught us anything, then being cognizant of our actions, or inactions, towards others could save lives.

Alas, Gaston will likely always be seen as a villain. An oddly beloved one at that.

So the defense rests. 1 for 2 in defending a couple of villains. But let me leave the jury with this: when it comes to our media villains, just like people in real life, we need to not simply accept what we’re presented. We need to be better. We need to ask questions. Imagine a world where we give others the same benefit of the doubt that we think we’re owed. Imagine the pain and loss that could be avoided if we take the time to listen to others and understand them as people instead of assuming their nature.

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Just a thought at the end of a silly blog that tried to apply humor to a couple of Disney “villains.”

Did Quarantine Madness Make Me Like Fate The Winx Saga? -Or- Ranking Fantasy TV Can Be Fun

Did Quarantine Madness Make Me Like Fate The Winx Saga? -Or- Ranking Fantasy TV Can Be Fun

A tremendous amount of incredible world-building was done in the season’s six episodes. That in itself will bring me back for a season 2. - So when thinking about this show, and the litany of fantasy TV on right now, I decided to rank/micro-review the shows I’ve binged during the quarantine.

Am I Sexist for Believing that a Fat Man is Better than a Wonderful Woman? -Or- Has Quarantine Made Me Finally Go Crazy?

Before I go into this comedic rant and/or movie review, please know I don’t take the reason for quarantine lightly. My heart goes out to those we’ve lost and those afflicted/affected. I wish for better times and relief as soon as possible. So with that being said . . .

Oh COVID quarantine, thou art a cruel dick. Sure, there are tons of things to watch on the various streaming services. But just like the Star Wars movie franchise, only about a third of the material is worth your time. (Not you Mandalorian, Rebels, and Clone Wars. You’re perfect just the way you are). But I managed to see one movie I was expecting to like, which I didn’t. And one movie I thought would be laughably bad which I fell in love with. Wonder Woman 1984 and Fatman.

- Images from IMDB and Amazon respectively


So let’s start with Wonder Woman 1984, the cinematic equivalent of standing in line at a theme park. You know, two-and-a-half hours of waiting for two minutes of enjoyment.

Like many Americans (suck it the rest of the world who doesn’t have HBO Max) I settled down Christmas evening 2020 to watch the hotly anticipated Patty Jenkins-directed Wonder Woman sequel, Wonder Woman 1984. Based on the trailers, I was ready for the color, the music, and the action of an 80s era superhero blockbuster. Woo!

Then I watched it.

Huh. That--that was a movie. Hmm. Well, to the rest of the world I previously mocked for not having HBO Max . . . it looks like I and the rest of my country are the ones who should suck it.

Look, there are a lot of better think pieces and opinion blogs/movie reviews out there who have already covered this topic. By now I’m sure you’ve seen one of twenty of them. And like everything else in this country, the opinions are as polarized as those ridiculous glasses my mom bought back in the 80s. Damn you QVC.

- Image from Youtube

So my Bottom-Line-Up-Front review is this: Boredom. Wonder Woman 1984 was total and absolute boredom with occasional moments of actual caring. I told myself that in 2021 I was going to be less critical. To point out positives even when I don’t like something. But, c’mon man, did ya see the movie? Okay, I can do this. Whew. Here we go. This dull as dishwater story . . . damn it . . . this “movie” was an introspective look at an immortal being who feels isolated and alone during the decade of decadence. With wanton avarice, greed, and sexism as the accepted norm, Diana must remind herself that there is no shortcut to life or happiness, And, and sometimes you have to fight aginst those dark forces.

There, I did it!

. . . That being said, it was also a tonal mess that undercut every pro-women message the original movie set up, ironic as this movie was written by Patty Jenkins herself. This film paints Diana as still pining (eh?!) over Steve Trevor, the first guy she ever met/fell in love/slept with/and knew for a total of like seven days, over 60 years prior. So when it came time for her one wish, the educated, beautiful, successful, glamazon wished for her old flame, the one thing she needed to be complete. The movie also has also been lambasted for the non-consensual sexual contact with the body Steve inhabits, as well as propping up middle-eastern people for the skinny white woman to smack around.

Sorry sorry. I’m trying to be better, but New Year’s resolutions are hard. But I’m disappointed since I really dug the first movie. But like I said before, there are far better thinkers than me who have pointed out the virtues and flaws of this movie. For me, I regret to say I nothing this movie. Neither liked nor hated. It falls sadly in that “I’ll likely never watch it again” level of apathetic viewings. Glad that I saw it with an HBO subscription and not in a theater.

But when I was at my lowest, somehow Mel fucking Gibson made me feel hope again.

Wow, I never thought I’d ever write that sentence in my life. Which brings me to another movie I watched very recently, Fatman.

- Image from IMP Awards

If you haven’t heard of it, or seen the trailer, then here’s the pitch: When a rich/spoiled child gets a lump of coal for Christmas, said evil kid hires a contract killer to assassinate Santa Claus.

I’ll take a moment to let that sink in.

At first, I thought this was going to be one of those R-rated, good-bad movies. A laughable premise that commits to the bit and is entertaining for the run. And, it was that, but so . . . so much more.

You see, this movie had what Wonder Woman didn’t have, heart. Santa, you see, is at a low point. More and more children choose naughty over nice. And as such, fewer toys are made. And as a result, his revenue stream to pay his workers and cover facility costs are cut in half. (Yeah, somehow Santa gets paid by the government. It’s weird, but go with it.) So to makes ends meet, Santa begrudgingly has to accept a military contract.

Look, I know this sounds crazy. But when you see the movie, you’ll soon come to realize that this relatively low-budget indie-flick is a character study that has oceans of pathos under the surface, and it all comes out in the eyes and actions of the lead characters. Mel Gibson’s Santa is a tortured soul that feels like he let down the children of the world. Marianne Jean-Baptiste’s Mrs. Cringle is the rock that holds Santa up. She is his strength and his partner. Their beautifully acerbic dynamic is the heart of this movie. And the always A-game Walton Goggins plays an idiosyncratic hitman who has his reasons for accepting the contract to kill Santa.  

- Image from TV Fanatic

This, for me, was the movie I needed to see in these times. A tale of someone who struggles. Who loses their identity. Looses what they love. But, finds their resolve, their passion, and their hope once more.

Plus it didn’t have the normally awesome Pedro Pascal reduced to playing an unctuous Trump-parody villain . . . who kinda looked like Bill Murray’s character from Kingpin, Ernie McCrackin.

But like all opinions, they are subjective. If you love WW84, who am I to say otherwise? I’m glad you liked it! If you saw Fatman and thought it was bad . . . then you are a horrible person without a soul and will likely die cold and alone.

:)

Hope you have an amazing 2021. Live long and strong!

 ~Gibby

I Dream of an Actual Batman Film -or- If I see Another Bruce Wayne Movie I'm Burning This Mother Down

Okay, so . . . damn! The trailer to upcoming The Batman looks good. Real good. I mean, I'm no fan of Sparkles McHufflepuff** but I can't deny that he looks cool and I wanna see this movie.

**Special Note: Please don't suggest any of those gritty, art-house movies starring said actor. I've had many cinephile friends recommend his indie movies, which I then watch . . . and hate. Maybe I'm a basic-B but I despise go nowhere think pieces disguised as character studies. I have a theory that watching too many movies is like excessive masturbation/porn consumption: too much desensitizes you, and you need stranger things to find pleasure. Regardless, to the person who told me The Lighthouse was good: fuck you. Ole Robby P jerking it on screen while DeFoe imitates Mr. Crabs from Spongebob does not a movie make. And no amount of faux Lovecraftian spookiness can replace the time wasted on that black and white abortion.

So back to The Batman! Let's just say . . . I'm leery. Trailers can make people think a movie is going to more than it is. But, we've all been fooled by trailers before. After all, they're a marketing tool meant to get to spend money. And when it comes to Batman in live-action, I feel like I've been burned before.

See, this article came out a couple of weeks ago on Screenrant, "The Batman Explores Bruce Wayne's Trauma In Fun & Surprising Ways." And that didn't sit well with me. There was a specific line in it which read: " . . . he [The Batman co-writer Matt Tomlin] did confirm the story will tackle Bruce's early days operating as the Bat of Gotham. Additionally, he revealed the narrative will revolve around the character's trauma."

Sigh. I--I don't ever need another Bruce Wayne's trauma movie. I'm sorry, I don't. Pretty much every live-action interpretation of Batman has centered around Bruce Wayne's trauma.  

. . . or him ready to quit being Batman for a girl. Seriously, look at this!

And yeah yeah yeah, I know . . . but what about his parents? Their murder is the cornerstone of his trauma and the genesis for Bruce Wayne becoming Batman.

Yawn.

Look, I'm clearly straw-manning this thought. But let me ask you this: Why was Spider-Man: Homecoming such a refreshing take on Marvel's favorite web-slinger? Aside from the MCU magic sprinkled in, there was no rehashing of the Uncle Ben Dies story line. We get it. We're nerds (or at least nerd-adjacent) and the ubiquity of these iconic characters ensures that everyone is aware that Uncle Ben died, Krypton blew up, and Batman's parents got gunned down. And we've seen those movies. A lot. Sad boy Bruce Wayne being so sad he plays dress-up while struggling with his inner pain.

So fun. Blah.

On the whole, I prefer the animated Batman movies. Why? Because the bulk of them deal with Batman doing Batman things. Fighting his rogues gallery, solving a crime, and being the dark vigilante we like. And, this is important, he's Batman the vast majority of the time, not an introspective emo puppy.

And, wouldn't be cool if we got a live-action movie that did that? No Alfred telling Master Wayne to get up. No Bruce looking forlorn over his waffles. Just Batman running around Gotham having to do something in the nick of time. You can make it moody. You can make it stylish. Dark and gritty the shit out of it. Hell, throw in a Court of Owls Raptor or a Hush (pick one) taking shots at him, I don't care.

Maybe this movie will do that? The trailer has all the elements I described. But it also has a slowed-down version of Nirvana's "Something in the Way." So . . . yeah, I’m sensing some sad-boy Seattle rain “poor me” on the horizon.

Some folks say that you need Bruce Wayne. You need to see his face to humanize him. And to that I say . . . why? We've had that, plenty of times. Do you know what we've never had? Batman in the cowl for the whole movie. You see, there's this little movie that kicked a lot of ass and went unappreciated in its time. A little flick called Dredd.

 

NO! No that one. This one.

 

Ahh, there it is.

This movie had the balls to cover the beauty that is Karl Urban (don't judge me, we're all allowed one man crush) for the entire movie. This well-paced, contained, gritty, action story not only kicked major ass but served as a prototype of how a Batman movie could be made.

So, all humor aside, I'm sure The Batman will be a solid movie and I really am looking forward do it. People laughed in '89 when the comedian Michael Keaton was announced as Batman. They laughed again when the lanky kid from Knights Tale, Heath Ledger, was announced as Joker. So maybe the Crystal Pepsi of vampires will surprise us all.

But I swear to God if I see Thomas and Martha one more time I'm killing them myself.

~ Live Long and Strong - Gibby

The Princess Bride IS Due for an Update -or- Remake Everything and Let Capitalism Sort it Out

“I felt a great disturbance in the Force. As if millions of voices cried out in terror…”

~ Ben Kenobi

 “Never underestimate the power of stupid people in large groups.”

~ George Carlin

Image from Amazon

Image from Amazon

I’m just going to come out and say it: I honestly don’t give a shit if they remake The Princess Bride. In fact . . . I kinda hope they do. Unpopular opinion, I know. And not one born from a desire to troll (even if its a teeny bit fun :) ). Just a personal opinion. Others may disagree, and that’s fair.

When I heard the talk about a possible remake, my honest first thought was: Oh, that would be cool. Then while mindlessly checking social media, I saw that the internet had lost its fucking mind. I sighed. Angry people brandishing digital pitchforks and torches shouldn’t surprise anyone at this point.

I thought of a simpler time, when the internet was for research, chat rooms, free music, and a bountiful cornucopia of porn. Alas, the ubiquity of social media on every device allows for every stray thought and opinion of others to be slammed directly in front of your eyes. What’s worse, is that online “journalism”, and even the traditional news cycle, harvests the overly-opinionated online angst like ripe crops, and shoves it back into the proverbial mouths of whatever like-minded/politically affiliated base they pander to. All in the name of clicks-to-ad revenue. (And you thought they shared your beliefs, didn’t you? Tsk tsk ;-) )

But back to the topic at hand. Once I pushed through the countless memes and legion of venom-spewing Princess Bride purists, I really had to ask myself: why not? Sure, I liked the movie. Hell, at one point in my youth, I had it memorized, word-for-word, down to the sound effects. But, what if they did remake it? Or reimagine it? That could be cool.

What if they turned The Princess Bride as a space opera? Warring interplanetary kingdoms. Westley could become a space pirate? Vizzini could planet-hop with Buttercup and Westley has to track them across various systems. Miracle Max could live on a Dagobah planet? Even the life-sucking torture scene with Count Rugen could happen on a space station that Indigo and Fezzik needed to infiltrate?

Or maybe as a 30’s prohibition era gangster movie? That could be a neat setting. Westley could be a returning war hero turned PI/cop that has to track down BC from an Al Capone-like Humperdinck?

See, I’m one of those weirdos who likes when they remake old(er) things. Movies, songs, TV, etc. I think it can be a fun way to revamp a classic for a modern audience. Sometimes it works, sometimes it doesn’t. Musically, I love “All Along The Watchtower” by Jimi Hendrix (originally by Bob Dylan), “Hurt” by Johnny Cash (originally by Nine Inch Nails), “Ring of Fire” by Social Distortion (originally by Johnny Cash), and “Over the Rainbow” by Israel Kamakawiwo’ole (originally by Judy Garland) just to name a few.

Video games get remade all the time. Bringing classic games to modern consoles for newer generations to appreciate. They fix jenky controls, make it visually appealing, and next thing you know, the old is new again.

In movies, Oceans’ 11 is a good example of a remake. And some folks even liked Ocean’s 8. While Ghostbusters 2016 was divisive, Disney remains rife with remakes (Lion King, Beauty and the Beast, Aladdin, etc). And of course there is Conan with Jason Mamoa . . . which is NOT a good example.

Heh, I bet Aquabro wishes he woulda made that flick (BROnan?) now, while his star power is high as opposed to then. But, it was Apr 2011 when GoT Season 1 came out, and August 2011 for Conan. So, Drogo gonna Drogo.

Image from IMDB

Image from IMDB

She-Ra recently made a return on Netflix, with a Kevin Smith helmed He-Man on its way. Some folks bitched about it. But, my 7yr old son and I watched some of the She-Ra eps and he thought it was kinda cool.

But its always funny, to me, when the overtly vocal folks become SO ENRAGED when a movie/TV studio dares to touch something special to them. You know who I’m talking about.

“They did what???!!!! How dare they! #NOTMY[INSERT THE MEDIA THAT MAKES ME FEEL SPECIAL AND OR UNIQUE HERE]”

And it isn’t because I’m “above it”. I’m not really enlightened, or pretentious. I damn sure don’t use the words “Film” or “Cinema” to describe movies. I can even like a bad/over-hyped movie because it was “fun” (Looking at you Avenger’s Endgame. Great character payoffs with a dumb-as-F plot) And for shit’s sake, I love (and own) the extended cut of Hansel & Gretel Witchhunters. So clearly, I’m no freaking authority on what’s “good”.

Image from Amazon

Image from Amazon

The reason I don’t care about remakes is simple. Ready for the secret? Shh, I’ll whisper it to you: The originals still exists. No one snuck into the night and destroyed all the copies of the thing you like.  

Crazy, I know.

Maybe it boils down to it purists. People who staunchly say: “The original is the best!” And you know what, a lot of times, they’re right. And sometimes, subjectively, they’re very much wrong. Perhaps their slogan should really be: “The original is what I know best, and I don’t want someone saying the newer version is just as good/better than what I know best because . . . reasons!”

Admittedly, that’s a bit too long for a slogan.

Hell, while we’re at it, I firmly believe that the Peter Jackson Lord of the Rings movies should be remade. Yeah, I said it. Sure, Fellowship is still pretty solid, as the bulk is filmed with minimal green screen, on location, and with tactile props. But there are certain scenes in that flick--especially more so in the other two--that look like a bad video game cut scene. And there is no real fault per se. It’s just that CGI has come a long way from when those movies were filmed. Obviously they did the best they could with what they had at the time, but certain crucial scenes have not aged well. It is really obvious what’s real, what’s a sound stage, and what is really dated CGI. To watch those now, the nostalgia goggles must be thick to ignore some cringy bits.

Image from Amazon

Image from Amazon

Plus, a remake could make Gimli cool and not a buffoon for comedic relief

Obviously the argument can be made that entertainment media doesn’t need remakes or re-imaginations, they need original ideas. And I agree. Everyone has heard the expression “Hollywood is out of ideas.” But sadly, there is an axiom that rings true across most mediums, and one I learned early on in my writing career. And that is: stand-alone or new properties don’t sell well. Franchises are what brings people back for more.

Of course there are exceptions. Recent original, non-franchise, non sequel movies like Get Out and Us, garnered a lot of attention on the back of Jordan Peele’s fame. And Us was in the top 20 box office hits this year, #8 in fact. But here are the others, see if you notice a trend:

  • Avengers: Endgame - Sequel

  • Lion King - Remake

  • Toy Story 4 - Sequel

  • Captain Marvel - Technically new/standalone

  • Spider Man: Far from Home - Sequel

  • Aladdin - Remake

  • It: Chapter 2 - Sequel

  • Us - Stand alone

  • John Wick 3 - Sequel

  • Fast & Furious Hobbs & Shaw - Spin off Sequel

  • How to Train Your Dragon 3 - Sequel

  • Secret Life of Pets 2 - Sequel

  • Detective Pikachu - Stand Alone/loose re-imagination of Game Boy Game

  • Shazam - Technically new/standalone

  • Once Upon a Time in Hollywood - Stand Alone

  • Dumbo - Remake

  • Glass - Sequel

  • Godzilla King of Monsters - Sequel

  • The Upside - Stand Alone

  • Lego Movie 2 - Sequel

Point is, creating something “new” is hard. Many writers, story resources, and the like, have their own opinion, but the boiled down story basics and story conflict are as follows (and nearly every story is a mix and match of the following):

 Story Basics:

  • Comedy

  • Journey and Return - A story about transformation

  • Overcoming “A Monster”

  • Quest - From point A to point B.

  • Rags to Riches

  • Rebirth or renewal

  • Tragedy

Story Conflict:

  • Person vs. Fate/God(s) 

  • Person vs. Nature

  • Person vs. Person

  • Person vs. Self

  • Person vs. Society

  • Person vs. Technology

  • Person vs. the Unknown/Extraterrestrial

 As Mark Twain put it:

“There is no such thing as a new idea. It is impossible. We simply take a lot of old ideas and put them into a sort of mental kaleidoscope. We give them a turn and they make new and curious combinations. We keep on turning and making new combinations indefinitely; but they are the same old pieces of colored glass that have been in use through all the ages.”

So, long story short, I don’t care if a movie, music, show, whatever gets remade. Is it “boring” or “unimaginative”? Maybe. Depends on the finished product.

I’m not trying to convince someone that should/shouldn’t care, or think the way I think; that’s a fool’s errand. Obviously there are far more important things in the world to worry about then a remake of a movie. Entertainment is just that, entertaining. It can distract us from horrors and stress. And, it can even enlighten when done right (or be a heavy handed punch in the metaphorical mouth).

But when done right, a nice remake or re-imagining can be something pretty cool.

  • Westside Story is Romeo and Juliet,

  • 10 Things I hate about you is Taming of the Shrew,

  • Apocalypse Now is Heart of Darkness,

  • Lion King is Hamlet,

  • O Brother Where art Thou is The Odyssey,

  • Clueless is Jane Austin’s Emma,

  • Young Frankenstein is a comedic spoof of Frankenstein,

  • The Force Awakens is clearly a reskin of Star Wars: A New Hope

Heh heh. Oh, and don’t forget that The Princess Bride WAS a book published in 1973, written by William Goldman.

Image from Building a Library

Image from Building a Library

Point is, if you Google best remakes or song covers, you’ll find some really neat stuff you may not have known. So, why sholdn’t The Princess Bride be remade?

 . . . unless you think about it as:

a white girl, with limited agency, who is an object to be won. A prize, if you will, that is battled over by two classic stereotypes of (toxic) masculinity. Coupled with the sheer lack of ethnic diversity, the movie does show its age and biases. Come to think of it, I think Mandy Patinkin is a Chicago-born Jewish man . . . playing a Spaniard?! (ouch!). And Billy Crystal and Carol Kane are doing some kind of mockery of the elderly. Not Cool. And what the fuck is a “Holocaust” cloak? Hmm? If they meant flame-resistant, then say that. And wait . . . didn’t Westly like . . . kill tons of people as a pirate? He’s the hero? Even more, he barely knew Buttercup and left her to find his fortune while she minded the farm? Then got indignant when after 5 years she moved on? Uh-uh! She isn’t property.

You know what. Fuck this movie and any potential remake!

From Giphy

From Giphy

 :) Well, that was a bit of lighthearted fun. So in the end, love what you love, and don’t let anyone tell you different. Besides, we can attack the REAL problem. Jason Bateman and Ryan Reynolds wanna remake Clue!

My Marvel Movie Rankings . . . Because . . . Why Not?

Yeah, this sure is original. Yup. Because no one else ranks the Marvel movies. (read: sarcasm ;-) ) But, thanks to THIS QUIZ (which I took while bored), it made it fun an easy. So without further ado, here it is, Gib’s Woefully-Behind-The-Times Marvel Movie List.

Note 1 - The app I used asked “Which would you like to watch RIGHT NOW”. So when compiled I agreed that #23 - #16 were tedious to watch. #15 - #11 were “oh, that’s on? I’ll watch it”. And #10 - #1 are the ones I get a excited to watch again.

Note 2 - All my comments are just my opinions. If you take them negatively then . . . they’re a joke? :)

Note 3 - All images from Marvel

hulk.jpg

#23 T

he Incredible Hulk -

No one’s favorite. Well, except maybe that one weird friend likes to be a contrarian a-hole.

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#22 Ant-Man - Sorry, the Baskin Robbins joke/Louis Pena didn’t make me laugh. Maybe I’m dead inside. But to me, Paul Rudd is as exciting as getting a new towel set. He’s fine/funny in the bigger ensemble movies though. Small roles . . . because he’s Ant-Man.

IM 2.jpg

#21 Iron Man 2 - I hated the bird. I hated the plot. Seriously, dying of ARC reactor poisoning is a 3rd movie plot, not a 2nd! RDJ is charismatic, so, that was fun at least.

.

Thor 2.jpg

#20 Thor: The Dark World - Higher than the others? Yeah, I know this flick isn’t good. But Loki/Thor are charming and Thor was my fav growing up.

AM 2.png

#19 Ant-Man & The Wasp - The team-up was more fun this time around. But, again, It’s the Paul Rudd towel set analogy. But now with matching washcloths. But hey, at least Wasp was better than Ant-Man in every way.

Black Panther.jpg

#18 Black Panther - Aside from cultural impact, the movie, to me, was a paint-by-numbers story. And, if I’m honest, it fell short of what it could have been. Especially when considering Coogler/MBJ’s other collaborations.

Cap Marvel.jpg

#17

Captain Marvel - My review (CLICK HERE) sums up my feelings on this movie. I felt that it reached for greatness, but didn’t have a seasoned hand to get it there. But, there a certain charm to Superhero movie: The Movie.

Spider Man 2.jpg

#16 Spider Man: Far From Home - What? Middle of the pack? Yeah. I was honestly bored through some of it. The teen drama was like a not funny Eurotrip. The movie had its moments, but nothing that made it exceptional. The growing out of (and into?) Tony’s shadow was touching though.

Thor.jpg

#15 Thor - As I mentioned earlier, growing up, Thor was my fav. And I was stoked for this flick. And . . . it was fine. That’s it.

IM 3.jpg

#14 Iron Man 3 - This movie, sigh. It breaks so much established continuity. Ran out of power? What does that thing in his chest do then?! Anyway, I liked the comedy & action. Mandarin twist was fine.

Avengers 2.jpg

#13 Avengers: Age of Ultron - I kinda liked this flick. I liked the banter. I liked the action. I liked the Scarlet Witch a lot. Some folks give it crap, but there is a good chance they’re a-holes. :)

doc strange.jpg

#12 Doctor Strange - Goatee? Arrogant? Yes. Tony? No. Something about this generic-yet-trippy origin story makes me smile. Maybe because he’s a chump through most of it? Sadly, Rachel McAdams was wasted

IM.jpg

#11 Iron Man - Not in the top 10?! Sorry? Blame the app I used. I do love this movie. The entire MCU is the Ballad of Tony Stark. But, come on, it’s a guy in a suit punching a villain in a similar suit. But, it was funny and had great action!

Gotg 2.jpeg

#10 Guardians of the Galaxy 2 - I love me an ensemble, and the Guardians are great. Now, full disclosure, I didn’t care about Ego/Peter’s arc. But, it got me to Rocket/Yondu & Peter/Yondu. And THAT hit me in the feels. Which is why it cracks the top 10.

Avengers 4.jpg

#9 Avengers: Endgame - What is there to say? I HATED the plot. But I LOVED the emotional payoffs. And as the final note of The Ballad of Tony Stark played, I nodded. You can rest now Tony . . . sniff.

Thor 3.png

#8 - Thor: Ragnarok - What a remarkable tonal shift. I laughed. I had fun. I threw up the devil horns to Immigrant’s Song . . . both times. There were some dumb things, and it broke continuity. But man, it was pure fun.

Spider Man 1.jpg

#7 Spider-Man: Homecoming - Hands down, full stop: best (live-action) Spider-Man movie ever. (Spiderverse was awesome!) Keaton’s Vulture might be the best villain in the MCU.

Avengers 1.jpg

#6 Avengers - Still, one of the best MCU flicks with great team chemistry, dialogue, action, humor and heart. And, without a doubt, the WORST Captain America uniform. See there in the poster how they hide him behind Thor?

Avengers 3.jpg

#5 Avengers: Infinity War - The Empire Strikes Back of the MCU. Not only a great job juggling so many characters, but great drama and fun to watch. Sure, Pete dissolving is sad. But RDJ wiping the Spider-dust away was a metaphor for all Stark’s goals and efforts. A man seeing ultimate failure. Bravo.

Cap 1.jpg

#4 Captain America: The First Avenger - No, I’m not crazy. I love this movie. Growing up, I hated Cap. And in no way expected the jock with a banana in his ass from Not Another Teen Movie to impress me. I was wrong. Evan’s earnest portrayal won me over. And, the good guy kinda loses in this one.

Cap 3.jpg

#3 Captain America: Civil War - Some would call this Avengers 2.5. I call it awesome. Zemo and his personal revenge plan was the cornerstone for a personal story. Both Cap and Tony’s. Bonus in that this was the best portrayal of Black Panther.

Gotg.jpeg

#2 Guardians of the Galaxy - As you can see by now, personal stories hit home with me. And when this movie was pitched, folks scoffed. When it opened with a dying mom, they gasped. The comedic flow from broken person to broken person captivated me. And ending in a dance off? Well, it won me, and most of the world, over.

Cap 2.jpg

#1 Captain America: The Winter Soldier - Wow. To think the directors of this movie used to make Community episodes. This flick is an amazing call back to the classic spy thriller. But, amid the cat and mouse games, the human element was always there, keeping things personal, grounded, and in short: the BEST (imo) MCU movie to date.

The Thin Line Between Fan and Fanatic -or- Did Game of Thrones Let Us Down?

Online Meme

Online Meme

Yes, you are allowed to criticize art. Let me repeat this because apparently it needs to be said. YOU, the consumer of commercial art, a packaged, polished, and highly produced product, are allowed to give your opinion, comment, praise and/or criticize the thing. Especially if you paid for it. Shocker, I know.

Like many people, I watched the final season of Game of Thrones. And I was disappointed. I’ve written previously about the off-screen jet packs and rocket powered ravens for the last couple of seasons, but I held off writing anything more until after the dust settled on this season. And what I saw, in my opinion, was a very beautifully shot, well acted, highly rushed piece of commercial art.

In my opinion, the nuance and pacing of the first few seasons had been cast aside for the sake of spectacle and the desire to just cross the finish line. It reminded me of a horny idiot just wanting get to laid. The kind of person who thinks looking good trumps substance, and that foreplay is waste of time.

Image from MTV’s Jersey Shore

Image from MTV’s Jersey Shore

But after the final episode was over I saw fans online getting upset. And weirder still, was the media backlash to fan outrage. And as of this writing, the Change.org petition to remake the final season of GoT has reached over 1.6 million signatures. Now, I’d like to think these people know that that will never happen and are just expressing their displeasure as fans of show that concluded a 9-year journey as shadow of its former glory. But this piece isn’t really about Game of Thrones. It’s about fan reaction to the entertainment that they love and the perceived problem with fan outrage.

Before I dive in, let me be CRYSTAL CLEAR: I do NOT believe the fans have the “right” to dictate how a creator should craft their work. No matter how invested they are. BUT, fans do get to express their opinions about how they receive said work. And said creators should also remember the expression: don’t bite the hand that feeds.

I’m looking at you Rian Johnson.

In my mind, a creator doesn’t get to hide behind their “art” when fans become upset. Especially when said art is, as I said in the opening paragraph, a packaged, polished, and highly produced commercial product meant for mass consumption. Mainly because when making a comic, a movie, a book, a song, or a video game, the creator has to decide if said creation’s subject matter or style is meant for a wide audience or a smaller, more niche audience.

I expressed this opinion the other day on social media while discussing the finale of Game of Thrones. And, oh my, by the reaction I got from some folks, you’d think I’d defended Harvey Weinstein. It went a little something like this:

 “Who the fuck are you to question the artist?!”

“The one who consumes it and/or pays for it.”

“Oh, like your fucking HBO subscription gives you the right to tell them to reshoot he whole season? Fucking entitled manbaby!”

“No, it gives me the right to say I was upset, and that it seems like they rushed it in order to go over to Disney and start the next Star Wars movie.”

“And how the fuck would you know? Hmm? Are you their fucking agent?”

“No, but I do have Google”

“They’re the artist and you’re not!”

“Funny, because when they were drowning in cash from their checks, Blu-Ray sales, and license deals for video games, t-shirts, and Funko Pops, no one said shit about artistic integrity. Seems like that expression only gets thrown around when the populace has a negative reaction to some kind of entertainment media.”

“And if a band changes their sound, fans can tell them to go back?!”

“No, fans can stop listening.”

“So the artist can’t grow?!”

“No, they can. Hopefully they cultivate an audience that grows with them.”

“You must want the Hollywood ending for everything!”

“I don’t care how something ends, as long as the story is developed in a way that feels earned.”

“Fuck you edgelord!”

“Enjoy your next tumblr rally asshole.”

The argument has raged on forever: who owns the art, the artist or the people? And obviously the answer is: the artist. But, the artist needs to remember that they got to that elevated level, because of the fans. I think that there are certain creators (and celebrities) who have lived on a pedestal for so long, they’ve forgotten the very people who put them there, who called them exceptional, and who threw their hard-earned money at them. The fans lifted them from obscurity and made them “special”.

They forgot that they were the lucky ones.

Because frankly, there are millions of creators out there with amazing ideas. Yes, there is a lot of hard work that goes into creating something, and harder work still to market and promote. As an indy SFF writer, trust me, I know. And having months (or years) of work dismissed with a shitty comment or pissy review is heartbreaking. But, at the end of the day, there is a still a shit-load of luck involved when it comes to being noticed.

So for those famous folk who need a little reminder of humility, remember the words of the bard Kendrick Lamar: Bitch . . . be Humble

So when I see creators clapping-back at the fans while simultaneously clutching at their pearls,gasping: “how dare you?!”, well, to that I say, “enjoy the way down.” Because one thing the masses enjoy almost as much as celebrating victory, is the schadenfrude when the exalted fall.

But with all that said, there is of course a limit to a fan expressing their displeasure. As a writer, I’ve had many people leave reviews that have been incredibly toxic. But that comes with the territory. I was told by friends and colleagues to “get a thicker skin”.

But, at NO POINT, should a displeased fan reach out via the internet (or in real life) and issue threats of any kind. Normally that kind of thing doesn’t need to be said. But, less folks think this blog is all about fan empowerment, let me be clear on another point: There is no formal contract between creator and consumer. It sucks, I know. You buy their stuff, they cash the checks. That’s it.

But, if they are smart, the creator will listen to feedback and use that to help shape their work, rather than being beholden to it. They should consider what is best for the story and their fan base, not their ego.

**Oh, and the words “subverting expectations” should die in a lake of fire. That concept is not new, and it isn’t quirky, witty, insightful, or pithy to toss around. Hell, at this point, “subverting expectations” IS the new “Hollywood ending”.**

For those who think this level of fan outrage is a product of the current generation due to the internet, allow me to point you at the way back machine. In 1893, Sir Arthur Conan Doyle killed off his creation Sherlock Holmes, and man, fans were pissed. And after 8 years of pressure, Doyle released Hound of the Baskervilles, set when Holmes was still alive. And in 1903, brought Holmes back from the dead, with Sherlock explaining that he faked his death.

In 1997, Star Wars was re-released with Greedo shooting first. That went over well? I think the words “killed my childhood” were born.

In 2008, and after 24 years of waiting, fans got Indiana Jones and the Kingdom of the Crystal Skull. And, well . . . yeah. That was a thing.

The long story short of this is simple. Fans are allowed to be outspoken. They are the ones who keep the entertainment machine turning. It is on their backs that the empire is built. But, fans should also take it down a notch. It is just entertainment. There are in fact real-world problems to focus our energy on. Toxic fandom IS a thing. Such negativity has hurt people in the real world. Don’t be an asshole. Express your opinion, sign a petition, vote with your wallet, and that’s it. There are warning signs when you’re in a bad relationship, and the same apply to your fan loyalty: Resentment, Disrespect, Dishonesty, Mistrust, Distancing, Defensiveness, and Contempt. If you sense your favorite franchise doing that to you, then walk away. Just make sure you’re not the one showing those signs.

So, Game of Thrones ended with not a bang, but with a whimper. It sucks. But, so did the Sopranos and Lost. It will just be another entertainment corpse on the pile. Remember the good times and hope ole RR Martin hangs on long enough to finish the books. But by this point, there are so many characters who I don’t give two shits about, that I just don’t care anymore.

Courtesy of Aww Memes

Courtesy of Aww Memes

But before I go, a quick message to famous, high-profile, A-List creators, artists, and developers: Don’t fuck it up. Respect your fans. When you do fuck up, which you have and will do again, own up to it. Don’t lash out at them. They want to praise your work. Let them. Because if driving over a Jawa would kick you out so that my books would become the next big thing on HBO, Netflix, Hulu, Amazon Prime, a comic, or video game? Well, I’d rev the engine and not think twice.

Dead Jawa.jpg

 

 

Game of Throne Final Season Woes -OR- How I Learned Love Jetpacks AND Broadswords

DISCLAIMER: If you love the show or the books, GREAT! Don’t let my ramblings take that from you. This is mostly for comedic purpose. But, some of my true feelings are buried in this nonsensical drivel.

Season-8-countdown.png

At the time of writing this, season 8 of Game of Thrones is only days from airing. Like me, maybe you’ve seen tons of countdown clocks and memes in your social media feeds. People are abuzz with anticipation. The culmination of massive phenomena that began on HBO in 2011 (or those pesky written versions in 1996). 67 episodes, five published main story novels, 2 more pipe dreams of “forthcoming” books, plus comics and prequel content.

BUT, not all is well in the Land of Ice and Fire. While some fans are excited others are angry. Since the show has gone past the published works, some consider the latest season as fan-service fan-fic. Others have commented that the off screen jetpacks and rocket-powered ravens** have made them upset. Or, how the Ironborn people of Pike can make that many ships from islands that look like bleak rock.

sew.jpg

**These terms refer to how quickly the remaining main cast (and message by ravens) have been able to travel across Westeros and Essos with plot-convenient blinding speed. In season 1, it took what, a month of travel from kings landing to Winterell, and another month to the wall? Well, remember when Jon and crew were stuck beyond the wall in season 7, and Gendry ran back to some outpost, sent a raven to Dragonstone? Danny got on her dragon and flew there the next morning. (for perspective, just from Winterfell to Castle Black at The Wall is 600 miles by raven, 650 by road.)

There are defenders of these plot devices, saying that lore supports these things, or TV adaptation is required. Antagonists do as the internet does and just hates. So, nothing new there.

 But, I’m here to say: I don’t give a shit and I embrace the insanity.

I like Game of Thrones, both the show and the books, but the grand epic story was ruined for me, long ago. The moment overt supernatural and prophecy was added to the story, the whole thing became a house of cards to me.

See, the show (and the books) in the beginning masterfully blended political machinations with the ever present, creeping fear of the supernatural darkness. While we gasp at things like the Red Weddings, we are also aware of Jon Snow’s plight, for he’s seen beyond the wall. And that . . . that’s the problem. Sooner or later, all the who fucked who over (or simply who’s fucking who), won’t matter. Not when the Ice Zombies come a knocking. And maybe that’s the point. But it also undermines the core. The human element. Added to this, is the prophecy, you know, The Prince Who Was Promised. See, once we got the Fire God, R’Hollr Lord of Light pitting its avatars against The Great Other, the cold god of ice and death, then the wine sipping snark fests between uppity nobles were . . . well, blah.

image from HBO

image from HBO

Seriously, do you think I give two horse apples about the Iron Bank or the Golden Company when the King of the Ice Zombies killed a dragon with a fucking spear, then raised said dragon as an undead ice dragon? No. No I do not. Looking back, remember in the hot springs when Jamie gave that impassioned speech about why he killed the Mad king? Or Littlefinger’s deft plots? How about Tyron facing his dad in the crapper? Or Theon’s torture at the hand of Ramsey? Powerful human moments right?

Well I also saw and entire dead village of Hardhome stand up at once under the power of the Night King. I saw Jon Snow get resurrected (among others). I saw face-shifting disciples of the God of Death. The human story is drowned out by the fantastic. Fun Fact: in the books, Thoros of Myr, you know, top knot drunken red priest brought back Catelyn Stark? Although, she didn’t come ALL the way back. She was dubbed Lady Stoneheart and she hung Brienne. Yup. Neat stuff right? But please, tell me more about The Vale or the politics of Dorn.

No, please go on. Tell me more of your . . . politics. I’m sure I have another dragon killing ice spear here somewhere. image from HBO

No, please go on. Tell me more of your . . . politics. I’m sure I have another dragon killing ice spear here somewhere. image from HBO

Add to that the Three-Eyed Raven and time travel, then you have a cycle you cannot break. The past/present/future is seen. Maybe you can break the cycle, or perhaps we’re just watching/reading actors playing the parts as fate already decreed. Yes, the Hold The Door/Hodor bit was an AWESOME scene, but you may as well have had Marty & Doc zoom past in the Deloran.

I know, I know, I’m being both overtly narrow in my view while also editorializing for my narrative. I get it, trust me. But this is just my opinion. But once you add prophecy to a story, any story, “the story” is over. Meaning, like any book, show, or movie, once you see the ending coming, it’s a wait and see game. And in GoT there were only two options. You either take the political “medieval” drama to its end while you hand wave the mythical stuff/deal with it off camera (pissing off fans of fantasy). OR, you make a hard turn into the fantastical, and piss on the backbiting and maneuvering (and thus anger your cerebral nerds). Which is where we seem to be heading.

Now MAYBE, the show (or books) can blend the two and do so perfectly. And something tells me that there will be people loudly saying that it did AND didn’t (again, see: the internet). But based on what we saw last season, I think we should settle in for more giant set pieces, giant battles, and giant magic. I’m sure there will be some surprise deaths, some revenge, and a twist or two.

And I’m totally cool with that . . . Because I WANT the fan service.  

Like I said earlier, I like the show a lot. And in many ways, MORE than the books. Sorry literary fans. I know that is heretical of me to say, but I don’t care. Some epics are just too much. Like Dune, the first couple are solid, but then it just . . . goes on far too long, and diminishes the whole.

So after the better part of a decade for the shows, and 23 years of waiting for this goddamn series of books to be over, I say “bring on the fan service!” I was thrilled with last seasons events and I want more.  you know what I hope happens?

  • I hope Jon Snow rides a dragon, wooshing by, and beheads Jamie Lannister for trying to kill Bran.

  • I hope Sam tries to kill the Night King only for Gilly to stab him in the ass with dragon glass.

  • I hope The Hound fights Franken-Mountain in the Clegane Bowl. After which, The Hound cuts off The Mountain’s dick and tosses that Icelandic anaconda to Theon and Gray Worm who then battle for it. The winner takes it to Qyburn for reattachment.

  • I hope Brienne refutes Torman Giantbanes advances so that she and Sansa fall in love and open a goddamn flower shop in Dorn together.

  • I hope Danny finally tells Jorrah The Knight of Friendzone, to get a life.

  • I hope Theon beats his uncle at something, only for his sister to put Theon down after.

  • I hope Arya kills the Hound for his past sins, like killing her friend the Butcher’s Boy.

  • I hope Sansa learns to smile . . . an act (I wonder if Dark Phoenix will be any good?)

  • I hope Ned Stark comes back from the dead . . . only to die again, as Sean Bean does.

  • I hope that when all the heroes are dead and when Cerci sits on the throne, Varys and Gendry stab her. Only for them to then dissolve the monarchy and institute democracy. #MakeWesterosGreatAgain

  • I hope not only that Bran is actually also Bran the Builder and the Night King, but that the story ends with young bran sitting in bed, having been read a bedtime tale and the whole thing was a story (the Rian Johnson cut.)

But above all else, I JUST WANT THIS OVER SO I CAN FINALLY CANCEL HBO!!!!

See y’all in a few days around the internet water cooler!

~Gibby

Review of Captain Marvel: A Midling Movie -or- The Benefits of Being the Butt of the Joke

Right off the bat, let’s address the elephant in the room concerning this movie. While promoting the movie there was a plethora of comments and sound bites from Brie Larson about diversity and white male journalists. And naturally the internet exploded with vitriol. Who knew the internet was an opinionated place? But, I ignored it. I only cared about two things: the movie . . . and why is Brie Larson slowly transforming into Diane Kruger?

Images from Celebmafia and Getty Images

Before moving into spoiler territory, this is my brief, IMO, spoiler-free, TL;DR review: The movie firmly falls into the “It’s Fine” category. Nothing special. Nothing horrible. Nearly every story beat is predictable with minimal twists on the superhero movie formula. It has neat action. It has some jokes. It tries for heart, but misses. Captain Marvel follows in the wake of Wonder Woman, but without a seasoned hand like Patty Jenkins to guide the movie, it falls short of what it could have been. Influenced by other Marvel movies like Guardians and Captain America, but ends up in the mid-tier.

Okay, with that out of the way, the rest of the review will have some spoilers. Cool?

Marvel has always impressed me with casting, seeing something in an actor that could shine. If you look back, they cast the unstable wild card to be Iron Man, the banana in his ass comedian as Captain America, the unknown dead George Kirk to be Thor, and the pudgy schlub from Parks & Rec as Star Lord.

Images from Daily Mail, Not Another Teen Movie, Star Trek, and NBC

So when Brie was announced, I was excited. I loved her in Scott Pilgrim, The United States of Tara, 21 Jump Street and Kong: Skull Island. I was wondering what the Marvel casting team saw in her. But, after watching the flick, I think what they saw was her left shoulder, constantly pointing towards the camera, in a 3/4 square stance. The below pics don’t do justice. She loves to run/storm into frame, put her left shoulder forward, and make fists.

Images from Marvel

The movie is a pretty good action flick. It tries for comedy, and some jokes hit. But, you can also tell that the movie tried to be like Guardians, but with the 90’s instead of the 70’s. But, it never quite hits. (There’s even a scene where we’re in her head and Nirvana’s “Come as You Are” is playing. But since she disappeared from earth in 1989 and returned in 1995 . . . she shouldn’t know that song.) James Gunn brought a pathos to Guardians of the Galaxy and to his characters. A deep, personal pain to each of them which was masked in comedy. Something we the audience can relate to. But, the Captain Marvel movie is devoid of such depth.

The movie also tries to be a buddy cop flick with Marvel and Nick Fury, and that never really gels. And while Mr. Jackson is perfectly fine, the Fury you know from other movies is gone, and is replaced with this younger, dorky version who is the butt of Carol Danvers’ jokes and jibes. This self-described Retired Colonel turned Spy turned SHIELD Agent gets all gooey whenever that stupid cat is on screen “Who’s a widdle widdle good kitty kitty?”. (Yes, he says crap like that. A lot. And it sucks. And I have a cat.) The other sticking point is that Jackson and the rest of SHIELD, accept alien existence really, really quickly. I know the story needed to keep going, but as the directors/writers hand waved that bit away, I knew I was just along for the ride. Stuck in the backseat and forced to suffer bad choices. (see Fury’s missing eye here). This choice also retcon’s Fury’s speech in Avengers when he tells them that SHIELD is developing new weapons and tech because of Thor, and up until he arrived, they thought they were alone in the universe.

The movie is in essence a discovery of personal strength. You know, “the power was in you the whole time, you just had to believe” trope. As Cap Marvel AKA “Vers” discovers her past on earth, she starts to remember her old life, and there are actually very touching moments between her and her old wingman, Lashana Lynch’s “Maria Rambeau” and Maria’s daughter, Monica. When her best friend comes back, after 6 years of presumed death, Lynch’s reaction and performance is amazing

. . . and then, then they had to ruin it.

You see a few scenes later, the dialogue forces Larson to say something like “I don’t even know who I am anymore!!” Ugh. To which Lynch is forced into the other dead horse of bad writing by listing the protagonists superlatives. “You’re Carol Danvers! The bravest, strongest, and most amazing person I’ve ever known!”

I literally had my hand over my face during that scene in abject shock and cringe during this stilted scene. And for some reason, I couldn’t get the scene out of my head from Face/Off when Sean Archer is now wearing Caster Troy’s face and freaks out. His (Sean’s) best friend and partner Tito, has to remind of who he was. “You’re Sean ARCHER!!” You know, another black character reminding the white lead of their inner strength. Blah.

***Special shout out to Ben Mendleson as Talos, leader of the Skrulls. He chews the scenery and has some of the best lines and scenes. His character is given oodles more comedy, pathos, and depth. All this despite being forced to wear a mask that forced him to mumble and slur. Truth be told, if he was a new addition to The Guardians, I would totally be down.***


But since watching the movie, I’ve been trying to figure out what about Captain Marvel didn’t work for me. She was strong, she had some humor, she was snarky, she was committed. So what was it that made me, at best, iffy? And then it hit me. She, or likely the writing/directing team, refused to allow Captain Marvel to have humility.

What do I mean by that? Well, IMO, one of the reasons that the MCU characters have been so accessible, and thus successful, is because of their relatability and their humility. No, we’re not gods, super soldiers, or billionaire tech geniuses. But we are people who seek our father’s approval, feel weak, or mask our inferiority complexes with humor and narcissism. But beyond that, the characters are willing to be the butt of the joke.

Tony Stark blasted himself into the ceiling learning to fly while his robot sprayed him with an extinguisher. Thor was knocked out several times by being hit by a car, and even got a hypodermic needle in the ass mid-tough guy speech. Steve Rodgers was a scrawny, virgin, twerp who never learned to talk to women. Even in later flicks, Peter Quill is perpetually the butt of the joke. Steve Lang is constantly being mocked. Even T’Challa gets laughed at by his sister and his closest allies.

Carol Danvers doesn’t. She’s like a white-girl Vin Diesel who isn’t allowed to look foolish.

Think back on Wonder Woman. In DC’s first female led flick, Diana embodies power, poise, grace, and duty. But, she also has scenes of tenderness and humility. Remember laughing at her when she sees a baby? When she’s trying on dresses? Or when she marches out of the dress shop with a sword and shield? Funny stuff. Because the character was a fish out of water, there are moments when its okay to laugh at your protagonist. Because they kick so much butt later.

Image from Wonder Woman

Now maybe there’s a scene or two I’m forgetting which refutes these thoughts, and I’m willing to give the flick a second shot. But I think that by trying to make her a cinematic icon, they did a disservice by not allowing us to laugh at her, then cheer her later. I mean, even Rey got made fun of.

Image from Lucas Film/Disney

Another perfect example to illustrate my point in recent memory is Spider Man, Into the Spiderverse. The movie follows the standard superhero formula of newbie, incident, learning, falling, then succeeding. And Miles Morales is CONSTANTLY the butt of the joke. But, his story has style, flair, development, action, humor, and it will heart-punch you right in the feels. That’s why it beat Pixar for best animated movie in 2018, and why it will long be remembered when Captain Marvel is in the discount bin.

Image from Sony

I wondered if I was off base with my opinion of Captain Marvel. I am, after all, a white male (wocka wocka?). But once I started sifting through the reviews, I noticed a trend in the “left-leaning”/progressive websites. Some of them were not happy with the movie; seemingly upset that the movie was not what they had wanted it to be. On Metacritic, sites like Slate, Vox, Slant, The Guardian, Time, and the NY Post all had Captain Marvel in the 60% or below category. Some had titles like, “Finally, Women Have Their Own Mediocre Marvel Movie” (Slate), or “Captain Marvel Deserves a Better Movie” (Vox).

 Ouch.

But they aren’t wrong. 60% is about where it falls for me. I think there was a lot of potential in the movie But IMO, the short development cycle to get it out before Avengers: Endgame hurt the movie.

But, these are just my opinions. If you like the movie, GREAT! Don’t let me, or anyone else, tell you otherwise. Like what you like, love what and who you love.

Live long and strong

~Gibby

Do We Need a Star Wars/Pulp Fiction Mash Up? Sure?

Image from Textual Tees.com

Image from Textual Tees.com

So I was looking through some of my old writing projects, scenes, and notes the other day and I came across the printed pages of this little “gem.” It’s something I wrote in 1999. I read it, laughed about how dumb I was, but thought, “hey . . . let’s share it”, especially since I’ve seen images online of Star War characters in Tarentino poses on T-shirts.

 So I typed it up, did a little punch up, and added a couple of newer references. I present to you a 20 year old fever dream of a guy who apparently wanted to do sketch comedy writing.  

  

Pulp Jedi

 The Millennium Falcon flys through hyperspace blaring “Jungle Boogie”. Gangster scoundrels Han Vega and Jules Calrissian are in the cockpit.

 Han Vega:

What's her name?

 Jules Calrissian:

Leia Wallace.

 Han Vega:

How did Marsellus Vader and her meet?

 Jules Calrissan

I dunno, rumor is she’s his daughter? She usta be an princess from Alderran. Why you so interested in big man's wife?

 Han Vega:

Well, Marsellus Vader is leavin' for Tatooine to take care of some business and when he's gone, he wants me to take care of Leia.

 Jules Calrissian:

Take care of her? Making a blaster out of his finger and placing it to his head

 Han Vega:

Not that! Take her out. Show her a good time.

Jules Calrissian:

You're gonna be takin' Leia Wallace out on a date?

 Han Vega:

It ain't a date. It's just... you know... good company.

 Jules Calrissian just looks at him.

 Jules Calrissian:

Well you better careful. Last guy who did that got messed up.

 Han Vega:

Who?

 Jules Calrissian:

You remember the guy they called Jabba-Rocky Horror? Half black, Half Hutt?

 Han Vega:

Yeah, the fat guy.

 Jules Calrissian:

I wouldn’t go so far as to call the brother fat. I mean, he’s got a weight problem. But what’s the brother gonna do? He’s a Hutt. Point is, Marcellus Vader sent a couple of stormtroopers over to his crib on Coruscant and they threw his ass out of one of them tall ass skyscrapers. A passing speeder broke his fall, but since then, the brother’s developed something of a speech impediment.

 Han Vega:

What Jabba do? Fuck her?

 Jules Calrissian:

No, nothing that bad. He braided her hair up in fun buns.

 Han Vega:

That’s it? Well, Jabba shoulda known better. Play with a thermal detonater, you’re gonna get hurt.

 Jules Calrissian:

You don’t think Marcellus Vader over reacted? Motherfucker threw a guy off a building for braiding a girls hair. That ain’t right, messing with a brother’s speech and shit. Motherfucker does that to me, he better carbonite freeze my ass.

 Han Vega:

I'm not sayin' he was right, but you're sayin' a fun-bun braid don't mean nothing, and I'm sayin' it does.I've given a million ladies a million fun-buns and they all meant somethin'. We act like they don't, but they do. That's what's so fuckin' cool about 'em. This sensual thing's goin' on that nobody's talkin about, but you know it and she knows it,fuckin' Marsellus Vader knew it, and Jabba shoulda known fuckin' better. That's his fuckin' daughter, man.

Jules Calrissian:

That's an interesting point

 Han Vega turns around with his blaster in his hand to look at Greedo in the passenger spot behind him

 Han Vega:

Hey Greedo, whaddya’ think? Did Marcellus Vader overreact?

Greedo:

Man, I don’t even have an opinion.

Han Vega:

You gotta have an opinion, I mean--

BLAM! Han’s blaster goes off

 

Jules Calrissian:

WHAT THE FUCK?!

Han Vega:

Oh, shit, I shot Greedo in the face.

 Jules Calrissan:

Why the FUCK did you do that?

Han Vega:

It was a fuckin’ accident man! My blaster just went off. The Falcon musta hit an asteroid or something--

 Jules Calrissian:

The Millennium Falcon didn’t hit no motherfuckin’ asteroid!

 Han Vega:

Look man, I’m fuckin’ sorry--

 Jules Calrissian:

Sorry ain’t gonna cut it motherfucker! We’re in Rebel Alliance controlled space. And Rebel patrols tend to notice things like, I don’t know, fucking Corellian Cruisers drenched in blood!

 Han Vega:

What are you doing?

Jules Calrissian:

Messaging a friend. But if Yimmi’s ass ain’t home we’re in trouble.

A Blue hologram projection pop’s up

Hey, Yimmi, sorry man, but my partner got into a little bit of trouble and I need to use your swamp for a little bit.

  

-SCENE BREAK-



Tatooine - Deep in the basement of Mos Eisley Pawnshop, Watto is on the floor, bleeding, holding what remains of groin. Butch Kenobi, bloody and beaten, stands there, unsure of himself, a blue lightsaber ignited. Beside him, Marcellus Vader stands, his pants around his ankles after being repeatedly violated. Marcellus Vader’s hand is extended in a gripping motion and Watto is choking.

 

Butch Kenobi

You okay?

 Marcellus Vader

Naw man. I'm pretty fuckin' far from okay

 Butch Kenobi:

So, what now

 Marcellus Vader

What now? Well let me tell you what now. I'm gonna call a couple pipe-hittin' storm troopers, who'll go to work on junk dealer here with a trash compacter and a Cloud City scan grid zap-rack. Hear me talkin' Toydarian?! I ain't through with you by a damn sight. I'm gonna git Dark Side on your ass.

Butch Kenobi

I meant what now, between me and you?

 Marcellus Vader:

Oh, that? Well, let me tell ya what now between me an' you. There is no me an' you. Not no more.

 Butch Kenobi:

So we're cool? Even after . . . you know . . . the lava thing

Marcellus Vader:

Yeah man, we're cool. You had the high ground and I didn’t listen. Go on now, get your ass outta here. *His comm device rings*  Hello? What’s the problem? I have my own shit I’m dealing with at the moment, but I’ll send you the Fett.

  

-SCENE BREAK-

 

 The Millennium Falcon is parked outside a swamp in Degobah. Jules Calrissian and Han Vega are inside the earthen home of Yimmi enjoying a bowl of stew while Yimmi in his robe and cane, looks on unhappy.

Jules Calrissian:

Damn Yimmi, is this stew homemade? Man, me and Han thought we were gonna have some freeze dried stew, and here you are breaking out the gourmet shit--

Yimmi:

Know how good my stew is. Fucking made it, I did. When stew Luke makes, taste like shit, it does. But stew concerns me not. Dead bounty hunter in my swamp, it is. Sign in my swamp, did you see, that read “Dead Bounty Hunter Storage”?

 Jules Calrissain:

C’mon Ymmi, you know I didn’t see no sign that--

Yimmi:

Sign. See you. That read. “Dead Bounty Hunter Storage?”

Jules Calrissain:

No

 Yimmi:

Know why? BECAUSE STORAGE OF DEAD BOUNTY HUNTERS MY FUCKING BUSINESS IT IS NOT! Call people you must? Then do or do not. But if Luke comes home, finds dead bounty hunter in swamp, then leave me he will. No trial separation will I have, no. Straight to dark side, I go.

 Knock at the door, opened by Yimmi.

Winston Fett:

I’m Winston Fett, I solve problems. Okay, what you’re going to need to do is to do is take cleaning products and clean the inside of the ship. And I'm talkin' Kessle Run fast. You need to go in the backseat, scoop up all those little pieces of Rodarian brain and skull. Take care of are the really messy parts. The pools of blood that have collected, you gotta soak that shit up. Now Yimmi, we need to raid your closet. I need old Jedi robes, the darker the better.I’m sure you have a bunch laying around after Order 66. And no whites, can't use 'em. We need to camouflage the interior of the ship. We're gonna line the cockpit with robes. If a rebel ship stops us and starts scanning, the subterfuge won't last. But at a glance, the ship will appear to to simply be covered in Mynock saliva. Okay, get to work.

Han Vega:

A please would be nice

 Winston Fett:

Come again?

Han Vega:

I said a please would be nice

 Winston Fett:

I’f I’m curt, it is because time is of the essence. So, pretty please, with sugar on top, go clean the fuckin’ Millenium Falcon.

-OUTSIDE in the ship-

 

Jules Calrissian:

This is some fucked up, repugnant shit.

Han Vega:

I already apologized. Did you ever hear the philosophy of The Force that once a man admits he's wrong, he's immediately forgiven for all wrong-doings?

 Jules Calrissian:

Whoever said that never had to pick up itty-bitty pieces of skull with his fingers on account of your dumb ass.

Han Vega:

I’ve got a threshold for abuse and you’re crossing it. I’m a speeder bike Jules, and I’m in the red. And it’s not wise to push a speeder when it’s in the red.

 Jules Calrissian:

Oh you’re in the red?

Han Vega:

Yeah

 Jules Calrissian:

Well I’m a DEATH STAR PLANET BLASTIN’ MOTHERFUCKER, motherfucker! Every time my hands touch brain I’m a red kyber crystal lightsaber that will cut you open like a motherfuckin’ Taun-Taun. In fact, what the fuck am I doing in the back? You’re the motherfucker who should be on brain detail. We’re trading places!

  

. . . Coming soon, Reservoir Wookies (??)

 

 

Political Picks and Pics -or- Pay Attention to My “Uniqueness!”

i voted.jpg

The 2018 midterm election is over. And as in all previous voting cycles, Democracy was once again put into action. The people came forth and cast their voices to elect the leaders they wanted. There are cries of rejoicing for some, wails of anguish for others. But through it all, voters across this land made a statement in a clear and united voice. And that statement was:

“Hey world! Look at my fucking ‘I Voted’ selfie!”

Through the entire election process leading up to November 6th, social media feeds and click bait sites were flooded with images of normal people and celebrities proud to share that they took part in their civic duty and voted. News sites asked for pics of humble folk sharing their images with the “I Voted” sticker, and that was cool. But as the time went on, the images became more . . . unique. More . . . artistic.

More insufferable.

I don’t know if it was peer pressure, of FOMO, but post after post, pic after pic, an image-based arms race was conducted. An “I Voted” escalation. Who could be cuter in their selfie? More ingenious? Who could be more quirky? Which filter should be used to express self-satisfaction?

It seemed that the images went from a simple reminder to others to take part in their responsibility and instead became a statement unto itself. A statement which seemed like *gasp* that the picture that was shared was almost more important than the actual vote cast.  

Sure, this sounds like a complaint. And in truth, it is and it isn’t. Voting is, as said before, a civic duty. A responsibility. But one that isn’t enforced. And bluntly, it sucks that more people don’t take it seriously. It’s through grassroots movements, peer discussion, and social pressure that we can effect the change we want while also encouraging others to cast their vote.

That being said, with only an estimated 48.1% of eligible voters voting this 2018, perhaps people spent more time selecting the right photo to post than actually encouraging others? (Don’t look at me like that. You know damn well some of you--and definitely several celebrities--took a ton of pics on your phone and scrolled through them to choose the right one. And reposting an article from your favored echo chamber on FB, Twitter, or Instagram doesn’t count as encouragement.)

It’s no secret that voting in America is a contentious issue. We are a polarized people with polarizing “leaders,” which is evident in our recent elections. Voter turnout dipped from 62.3 percent of eligible citizens voting in 2008 to an estimated 57.5 in 2012. Only 36.4 percent of eligible voters turned out in 2014. 138 million Americans voted in the 2016 presidential election, and said voters only made up 58.7% of our voting-eligible population (estimated 235.2M eligible voters).

So, when you look at it that way, the approx 62.9M Americans that voted for Trump represented only approximately 27% of the country. So a little over one quarter of the eligible voters selected our president. (Or if you take in the total population of 2016, 323M Americans, 19.4% of the people chose the president.)

So yes, I’m being a bit of a curmudgeon about people’s “I Voted!” pics. Mostly because I don’t think they do anything other than self-aggrandize while subtly casting shame on others. And the one thing in this socio-political landscape in which we live which I find to be true is that shaming, blaming, and finger pointing does nothing but draw the battle lines deeper and keeps things like tolerance, understanding, and unity from happening.  

But hey, what the fuck do I know? I’m just a dumb SFF writer. And this is just my reactionary opinion to a pretty non-issue issue. So forgive my meandering grouchiness.  

But I do know there are images like this, which make me nod in approval and have hope.

SBA.jpg

And pics like this, which make me want to quit voting all together.

i voted hate 1.png